( ARCHIV 2533 175,1974年 LP ) - Recorded 9 - 12 January 1974 at Studio Lankwitz, Berlin. Arpeggione 翻繹很拗口叫 「阿貝鳩奈琴」,有吉他外型演奏時卻像大提琴一樣夾在兩腿間以弓演奏 ( 請參照唱片封面 ),是一種混合了大提琴和吉它功能的樂器,在音域和音色偏暗一如嘆息是別有韻味。可惜的是曇花一現,歷史上只留下二首作品,包括了舒伯特 專為 Arpeggione 寫下一首 D. 821 傳世,此曲充滿匈牙利風味很優美而深受愛載。也因在不少高音域樂句的確不易用 Arpeggione 表達,所以如今絕大部份用大提琴演出。由 Göran Söllscher 改編 吉它和小提琴 ( Gil Shaham ) 二重奏 ( DG 471 568-2,2002 CD ) 和 James Galway 以長笛代替, Phillip Moll ( Piano ) ( RCA RL 70421,1981年 LP ) 都算膽大藝高的罕見版。
Schubert Arpeggione-Sonate 用大提琴錄音很多,儘管有 Fournier ( DG 139 368 SLPM ,1967年 LP ), Mainardi ( DG 16043 ,1952年 LP ) 等端正典雅的演奏,但長久以來樂友們的最愛仍是 Lydia Pecherskaya ( RCA LSC 2553,1961年 LP ) 和 Rostropovich ( Decca SXL.6426,1961年 LP )。尤其 Rostropovich 和 作曲家 Britten ( Piano ) 性格強烈,演奏最為雄魄壯麗,為愛樂者的基本收藏。
本唱片應就是世界首次 ( 1974年 ) 阿貝鳩奈琴演奏,協奏的樂器也是古樂器完全原汁原味。本來用大提琴等摩登樂器演奏早已不易,用古樂器就更難了。大提琴家 史托克 Klaus Storck 特用 Arpeggione 技巧絕對勝任有餘,而以雙鋼琴出名的 Kontarsky 兄弟中的 Alfons Kontarsky 用古鋼琴 伴奏也相對得體。這是佳片。
個人先是收藏到 ETERNA – 8 27 087 版,後來才又收到 原版 ( ARCHIV 2533 175,1974年 LP ),此錄音品質很好 。ARCHIV 是 DG 的古樂部門,但 ARCHIV 錄音品質水平通常比 DG 高是一般共識。
LP-A Sonata Para Arpeggione Y Piano En La Menor, D. 821 26:20
LP-B Variaciones Para Flauta Y Piano Sobre Flores Secas, Del Ciclo De Canciones La Bella Molinera, D. 802 21:15
Cello [Arpeggione] –
Flute [Traversflöte] – Hans-Martin Linde
Fortepiano [Hammerflügel] – Alfons Kontarsky
Klaus Storck (born February 11, 1928 in Berlin , † March 18, 2011 in Katowice ) was a German cellist.
Hans-Martin Linde (born May 24, 1930 in Iserlohn, Germany) is a noted virtuoso flute and recorder player of (mainly) baroque and early music.
Aloys (14 May 1931 – 22 August 2017)and Alfons (9 October 1932 – 5 May 2010)[3][4] Kontarsky were German duo-pianist brothers who were associated with a number of important world premieres of contemporary works. They had an international reputation for performing modern music for two pianists, although they also performed the standard repertoire and they sometimes played separately. They were occasionally joined by their younger brother Bernhard in performances of pieces for three pianos. After suffering a stroke in 1983, Aloys retired from performing.